12 O'Clock Track

Monday, January 21, 2013

12 O'Clock Track: Sannhet's instrumental metal "Absecon Isle"

Posted by Kevin Warwick on 01.21.13 at 12:00 PM

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There are probably dozens of ways to categorize the instrumental music of Sannhet. Postrock, postmetal, postwhatever, the Brooklyn trio makes eerie, foreboding music with a blackish metal tint that aids in differentiating them from the more hush-hush-loud fare of our present-day instrumental and postrock heavy hitters (Explosions in the Sky, Sigur Ros, Mogwai, etc). On February 19, Sannhet is releasing the full-length Known Flood through Sacrament Music—the brand-new label formed by the dudes who run Brooklyn metal venue Saint Vitus. Today's 12 O'Clock Track is the album's opening track, "Absecon Isle."

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Friday, January 18, 2013

12 O'Clock Track: Electronic synth-pop from Candian hardcore vets Yacht Club, "A Little Messed Up"

Posted by Luca Cimarusti on 01.18.13 at 12:00 PM

One of Yacht Clubs many upcoming releases.
  • One of Yacht Club's many upcoming releases.
Over the summer I featured a Young Governor song on 12 O'Clock Track. I explained how Young Governor was the insanely hooky pop alter-ego of Canadian hardcore veteran Ben Cook, who currently plays in prog-core heavy hitters Fucked Up and cut his teeth as the frontman for mosh bros No Warning. Cook's solo and side projects have always leaned towards the accessible side of the musical spectrum, proving that he can do catchy and pretty just as well, if not better, than he can do aggro, and his new project, Yacht Club, takes this idea to the extreme.

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Thursday, January 17, 2013

12 O'Clock Track: D.C. postpunk band Imperial China, "Creative License"

Posted by Leor Galil on 01.17.13 at 12:00 PM

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I've been a fan of D.C. postpunk act Imperial China for a few years, but for one reason or another the trio's sophomore album, 2012's How We Connect, got lost in a flood of releases. It's been nearly a year since the band dropped that collection, an occasion that's giving me the chance to revisit it.

Today's 12 O'Clock Track is the fourth song off How We Connect, "Creative License."

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Wednesday, January 16, 2013

12 O'Clock Track: Sand, "White Nights"

Posted by Peter Margasak on 01.16.13 at 12:00 PM

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It's a sad fact of the musical life of Chicago that many players move away—for romance, work, better opportunities, weather . . . the list goes on. Luckily for most jazz players, a change of scenery doesn't always mean an end to projects that began in the city. Saxophonists Aram Shelton and Greg Ward, for example, remain regular presences around town, maintaining numerous bands with locals. That's also been the case with the drummer Dylan Ryan, who moved to LA a couple of years ago. His terrific postbop band Herculaneum is still at it—in fact they have a gig at the Hideout on March 27.

But yesterday the reality that Ryan doesn't live here anymore sunk in deeper with me thanks to the release of the debut album Sky Bleached (Cuneiform) by his new LA trio, Sand. The group features another ex-Chicagoan, Devin Hoff, on bass and Tim Young, a ubiquitous session musician, on electric guitar. Four of the ten pieces were written by Ryan in collaboration with his bandmates, while he composed five on his own; the tenth piece is a version of Paul Motian's "White Magic." Ryan and Hoff carve out deep, loping, and lean grooves—a bit fusion-kissed but totally unfussy—for Young to extrapolate within, at great length. Ryan uses a variety of time signatures, but the group never draws attention to any technical trickiness; the performances are marked by impressive rhythmic elasticity and melodic generosity, to the point where this sounds like an instrumental rock band more than a jazz trio, not that it matters in the end. Some of the songs bring a heavy punch and distorted crunch, but more often than not the sounds are clean. Today's 12 O'Clock Track is the airy album opener, "White Nights," which you can hear after the jump.

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Tuesday, January 15, 2013

12 O'Clock Track: Joey Bada$$ & DJ Premier, "Unorthodox"

Posted by Miles Raymer on 01.15.13 at 12:00 PM

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There are a lot of New York rappers these days attracting attention for the work they're doing charting a broad range of possible courses for hip-hop to take into the future, but there's also a contingent doing good work that's focused squarely on rap's past accomplishments. At the front of that group (and of a crew called Pro Era) is the young Brooklynite Joey Bada$$, who has a firm but dextrous flow and a penchant for bucket hats that come straight out of the kind of early-90s East Coast boom bap that Gang Starr may have come closest to perfecting. So it makes sense to see him teaming up with Gang Starr sonic architect DJ Premier for a single on the Mountain Dew sponsored Green Label Sound. With Premier's typically frosty production and Bada$$'s impressively grimy vocals, "Unorthodox" sounds like something straight out of 1990, which is all the more remarkable when you consider that that was five years before the rapper was born.

Stream it after the jump.

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Monday, January 14, 2013

12 O'Clock Track: Glenn Jones, "Show Me"

Posted by Tal Rosenberg on 01.14.13 at 12:00 PM

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Lester Bangs once said that Van Morrison "is interested, obsessed with how much musical or verbal information he can compress into a small space, and, almost, conversely, how far he can spread one note, word, sound, or picture." Can we get real and say the same about Glenn Jones? Is there much to "Show Me"? No, there isn't. But Jones has the same obsession with the texture and variation of a single word as Morrison. And he also shares the same intense focus on inner turmoil. He needs to know. What's the guy gotta do? Show him what he has to do. Come on.

"Show Me" is an ace quiet storm song, a charmingly tacky spectacle that conveys the feeling of walking around in a shop that sells the kind of wiry fluorescent signs you find in aquariums and frozen-yogurt shops. It was written by LaLa Cope, who was a member of Change (one of the greatest and most overlooked disco acts) and also wrote Whitney Houston's "You Give Good Love." The opening keyboard, which Ice Cube expertly sampled on 2000's "Until We Rich," sounds like what might happen if you combined a floor piano with an escalator. The melody is gorgeous, and Jones's singing (he is originally a gospel singer) is strong, never going for glottal bellowing or whiny falsetto. And Jones is supposedly such a novice romantic that he needs to be shown—lord knows how—what he has to do. The song has virtually nothing else to say. It's expert midrange singing about the stupid and simple circumstance of being unsure about whether or not the person you're into feels the same way about you. Many of us have dealt with that situation. Let's just thank Jones for having it take place in a jacuzzi.

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Friday, January 11, 2013

12 O'Clock Track: The Men, "Electric"

Posted by Luca Cimarusti on 01.11.13 at 12:00 PM

New Moon
  • New Moon
The Men, perhaps best known for their wild genre-hopping and exquisite heads of hair, released a new song this week: a preview of their upcoming full-length album, which drops in March. The band caught the world's ear with the bombastic posthardcore of their second LP, Leave Home, in 2011, then sparked controversy with the release of their 2012 follow-up, Open Your Heart, which includes a handful of straight-up country songs and a title track that sounds just a tiny bit like the Buzzcocks. From the sounds of today's 12 O'Clock Track, "Electric," it almost feels like the Men are leveling off, blending the punk fury of Leave Home with the slight poppiness of Open Your Heart. But this is only one song, and this is the Men, so no one can be too sure of what's truly in store until New Moon arrives.

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Thursday, January 10, 2013

12 O'Clock Track: My Dad, "Cut the Mullet"

Posted by Leor Galil on 01.10.13 at 12:00 PM

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  • My Dad's Dave Collis
I'm pretty keen on My Dad, the eccentric local punk group fronted by Dave Collis, and I also have been known to enjoy Chicago outsider-music icon Wesley Willis; so when Collis told me he released a couple reinterpretations of tunes by local artists, including a Wesley Willis cover, I jumped to take a listen.

Today's 12 O'Clock Track is My Dad's take on Willis's "Cut the Mullet."

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Wednesday, January 9, 2013

12 O'Clock Track: Brokeback, "The Wire, the Rag, and the Payoff"

Posted by Peter Margasak on 01.09.13 at 12:00 PM

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For the past couple of years Douglas McCombs has been performing around town with the latest version of his long-running project Brokeback. While the music's evocation of the expansiveness, twang, and parched tone of the American West remains, McCombs has been pushing more explicitly toward rock. When McCombs first started playing as Brokeback in 1995 he was clearly inspired by the bass duo Mike Watt started with his ex-wife Kira Roessler called Dos, and before long Brokeback became a duo with the involvement of onetime jazz bassist Noel Kupersmith; eventually it become a trio with the addition of jazz drummer Tim Mulvenna. Over those years and recordings Brokeback's music became more and more intricate and melodic, so it makes sense that everyone in the new lineup brings a rock pedigree to the table: drummer Jim Elkington is well-known for playing guitar and singing in the Zincs and the Horse's Ha, as well as working with the likes of Jon Langford, Kelly Hogan, and Laetitia Sadier; bassist Pete Croke has been a member of Reds and Blue, Tight Phantomz, and Head of Skulls!; and second guitarist Chris Hansen is a veteran of Head of Skulls! and Pinebender.

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Tuesday, January 8, 2013

12 O'Clock Track: Matt Shadetek, "Madness"

Posted by Miles Raymer on 01.08.13 at 12:00 PM

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In my 12 O'Clock Track pick last week I briefly mentioned the DJ, producer, and blogger Boima Tucker. Coincidentally, my pick this week comes from Matt Shadetek, whose similar interest in dance-music styles being produced outside of first-world club culture has led to a number of team-ups with Tucker, who's contributed to Shadetek's cultishly adored blog Dutty Artz. In March his Dutty Artz label will release The Empire Never Ended, which Shadetek claims will highlight his hip-hop roots, and which will feature guest turns by neoreggae artist Jahdan Blakkamoore and postmodern Internet superstar Riff Raff. Empire's lead single, "Madness," sounds like a 90s trip-hop cut reincarnated as postrave synth-shoegazer psychedelia. Between that and the fact that I'm pretty sure the album title is a Philip K. Dick reference, making it a 12 O'Clock Track was a gimme. Hit the jump to check it out.

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